What is an archive? How does community heritage material end up in our archive? What do we do with it? Who uses it?
To encourage more BAME community groups to consider donating their heritage project outputs to our (or another relevant) archive, we’ve produced a short film to demystify the archive.
Many thanks to our dedicated Institute for Cultural Practices placement students Naomi Weaver and Yang Li for producing this. You can read more about how and why the film was made over on our Coming in from the Cold blog.
This Saturday, 14th July 2018, marks the fourth annual Day of Memory for victims of ‘honour’-based violence (HBV). In this short post, Becki explains how the day came to be, why we need it, and what is being done to ensure that those who have lost their lives to so-called honour are never forgotten.
This coming Saturday, Shafilea Ahmed would turn 32. If her aspirations at school were anything to go by, she would now be enjoying life as an established barrister. However, Shafilea never made it this far; in fact, she never made it past 17. In 2003, she was brutally murdered by her parents at home in Warrington, Cheshire. Concerned that Shafilea was becoming too ‘westernised’ and bringing shame on the family, her mother and father suffocated her in front of her four younger siblings by forcing a plastic bag down her throat. Continue reading
Last week we said farewell and good luck to our Collections Documentation Assistant Carly Morel. Carly joined the Resource Centre team in 2015 and made a big impact during her time with us. She bravely tackled our backlog of uncatalogued physical archive material, creating in the region of 18 new collections and working in some capacity on countless others, with enthusiasm and sensitivity.
We couldn’t find a good picture of Carly at work, so here she is on holiday! Source: Carly Morel
She has the capacity to be interested in just about anything and to dig out the most obscure and revealing aspects of a collection. Many a time she’d lean over and say ‘Hey Hannah, listen to this’, read something out of the letter / pamphlet / report she was cataloguing, then launch into an analysis of what it means for Trump’s America / Brexit Britain / the Mediterranean migrant crisis, or whatever was happening at the time. All of which made her a great archivist and lots of fun to share an office with.
But perhaps her biggest impact has been on our digital archive work. Carly also works in the digital technologies team at the University of Manchester Library and her expertise in digital preservation came at the just the right time. The nature of our collections means that much of it is born digital, and thanks to Carly we now have polices and procedures to properly care for this material.
By Jo Manby
Cheetham to Cordova: Maurice Levine – A Manchester Man of the Thirties, by Maurice Levine. Neil Richardson, Manchester: 1984
Whilst reading Shadows on the Tundra, a new release by Peirene Press of the testimony of a Siberian gulag survivor, I was reminded of a slim, privately published volume that I first read some years ago while working on book abstracts at the AIU Centre.
Shadows on the Tundra, the story of the Lithuanian Dalia Grinkevičiūtė’s horrifying experiences, is an incredibly important piece of international survival literature, belonging in the hallowed company of Anne Frank’s diaries, the works of Primo Levi and of Alexander Solzhenitsyn. Cheetham to Cordova: A Manchester Man of the Thirties on the other hand provides the opportunity of a glimpse into the Lithuanian migrant experience here in the UK, as told autobiographically by Maurice Levine.
In the third post from Dr Noreen Mirza, she discusses how her research challenges stereotypes about Muslim women, particularly around wearing the hijab.
Reflecting on my own upbringing and experiences of being a second-generation middle-class British-Pakistani Muslim prompted me to want to understand what was happening among other socially mobile British-Pakistani women in Manchester. I was puzzled by the growing trend in ‘visual piety’ – a public and evident expression of religious affiliation among British-Pakistani women, such as wearing the hijab (headscarf), to signify commitment to faith and Islamic identity.
I decided to speak about visual piety to two of the women in my research, Amber and Syrah, who both wore the hijab. Their friendship blossomed when they realised that they both shared a similar lifestyle and religious outlook. More importantly they share a love of fashion, and they exchanged ideas and tips with one another about how to combine style and modesty.
Muslim Fashion. Source: Shawn Sun (www.flickr.com/photos/abayatrade) (CC BY-SA 2.0)
In her second post Dr Noreen Mirza reflects on the challenges of being a ‘native anthropologist’.
It seemed a common assumption among the people I came across that studying my own society would be an easy task because of my familiarity in terms of language, customs and values. Many were also under the impression that people are more accommodating, open and trusting towards those who share a common background. These assumptions were greatly misleading. The fact of the matter was, in my case at least, that being a native anthropologist meant people were reticent about divulging information because of the fear of confidential information being leaked, leading to gossip in the community.
I began fieldwork in October 2012 in South Manchester which involved following the lives of a core group of twelve women over a period of fourteen months. These women became the participants in my study. Initially I had interviewed approximately 80 women, including friends and family of my participants, as well as other women who could not commit to participating because of longer periods of time involved.
Participating in my research gave the women an opportunity to express their views and concerns about issues such as prejudice and inequality, and to share their experiences of being middle-class British-Pakistanis in Manchester.
Courtesy Noreen Mirza
This is the first in a series of posts from Dr Noreen Mirza, sharing stories from her research into the experiences of middle class British-Pakistani women in Manchester. First, how her own formative experiences underpin her research.
Being a second-generation British-Pakistani and Muslim woman growing up in 1980s Manchester, in a predominantly white neighbourhood, I remember the deep desire to be the same as the other children I played with in my neighbourhood and at school. I was aware of the difference in my skin colour, heritage and religious background, as all the children I played with were white British Christians. The yearning to be the same stayed with me into my teenage years and later influenced the subject of my PhD thesis, on middle class British Pakistani women in Manchester.
As I embarked on my research, I felt that the image of British-Pakistanis in the media was a misrepresentation and not a true reflection of a lot of British-Pakistanis like myself. I wanted to explore class identity and show the diversity among British-Pakistanis. We are not a homogenous group and our experiences and upbringing has a profound impact in shaping who we are.
Noreen as a child and her mother. Courtesy Noreen Mirza
Research Skills Series
By Alison Newby
Anyone putting together a research project or hammering out a dissertation topic has a lot to think about. What’s the subject? How’s it going to be investigated? What kind of information will be necessary? And where’s that information going to come from?
Here are two reasons why I believe the AIU Centre archive is a resource worth considering for studies covering a wide range of subject areas. It might not be immediately apparent that a Centre making available materials facilitating the study of race relations would be relevant to you, but hopefully by the end of this post its potential significance may have become clearer.
1. Qualitative data brings quantitative data to life Continue reading